Dossier 1

• Instructions for the imagination. Between caption and ecphrase

  Piermario Vescovo

  • PDF (IT)
• Pius II, Pienza and the description of an intelligent city: an ekphrasis with no rhetoric

  Gabriele Fattorini

  • PDF (IT)
• Heroum virtutes: weaving heroes, weaving canvases, weaving glosses, "artisans" of the ancient world

  Marilena Caciorgna

  • PDF (IT)
• Motifs of Dante’s ecphrasis in Michelangelo according to Benedetto Varchi: again on the Due lezzioni at the Florentine Academy

  Alessandra Tramontana

  • PDF (IT)
• The poet’s palette: the art of iconic communication in a dialogue by Ludovico Dolce

  Susanna Villari

  • PDF (IT)
• Under the sign of Armida. About the paratext of Angelo Grillo’s Lagrime del penitente

  Francesco Ferretti

  • PDF (IT)
• Cesare Rinaldi, Guido Reni and the Ecphrasis of the Modern

  Giorgio Forni

  • PDF (IT)
• The pleasure of ékphrasis in Marino's Adone in the light of M. Chapelain's Préface

  Silvia De Min

  • PDF (IT)
• Chi dice ragna dice danno. Aracne’s ékphrasis and hypostasis in Primo Levi’s work

  Mattia Cravero

  • PDF (IT)
• Almost “one thing”: Dino Buzzati’s Ragazza che precipita between story and painted image

  Paolo Senna

  • PDF (IT)