Dossier

• Introduction

  Jorge Fornet

  • PDF (ES)
• A short note on popular music in Cien botellas en una pared, by Ena Lucía Portela

  Rita De Maeseneer

  • PDF (ES)
• Ena Lucía Portela's La sombra del caminante

  Ivonne Sánchez Becerril

  • PDF (ES)
• Humor and self-destruction: the construction of an undefined identity in Ena Lucia Portela's short fiction

  Solem Minjárez

  • PDF (ES)
• El pájaro: pincel y tinta china: body and writing on the stage

  Chiara Bolognese

  • PDF (ES)
• Lynching, mobile phone and big city: two crime novels by Ena Lucía Portela

  Anke Birkenmaier

  • PDF (ES)
• On the left bank of the Seine

  Paula Guillarón

  • PDF (ES)
• Irony and the representation of Evil in La sombra del caminate by Ena Lucía Portela

  Waldo Pérez Cino

  • PDF (ES)
• Queer/cuir/cuy(r) in Latin America. Accidents and misunderstandings in Ena Lucía Portela’s narrative

  Diego Falconí

  • PDF (ES)
• Between Intertext and Paratext: Ena Lucía Portela’s Highbrow Games

  Roberta Previtera

  • PDF (ES)
• The adefesio poetics in Ena Lucía Portela's works

  Mayerín Bello

  • PDF (ES)
• Dancing library Ena Lucía Portela

  Fernando Iwasaki

  • PDF (ES)
• XXI Century Self Image of Femenine Diary-Novel: Todos se van, by Wendy Guerra

  Daniel Mesa Gancedo

  • PDF (ES)
• The Narrative Spaces in the Story "Joni Mitchell estaba cantando

  Cándido Pino Lago

  • PDF (ES)