Tangled in Instagram: the impact of technological appropriations on the virtual consumption of trappers

Authors

  • Carla Barrio Romera Universidad Carlos III de Madrid

Abstract

Virtual consumption has evolved into a significant social and economic phenomenon. Social media platforms are not only an integral part of the daily lives of an ever-expanding population, but are also reshaping consumption patterns. Through a Social Network Analysis (SNA), this study explores the dynamics of digital consumption manifest in the visual elements of Instagram profiles belonging to a sample of 200 Spanish female trappers—those who identify with the style and subculture associated with trap music. The identified consumption dynamics enable a qualitative examination of technological appropriations, thereby distinguishing between four distinct models of technological appropriation of the Instagram platform among these young women. This study unveils the intricate interconnection between consumption and technological appropriations, shedding light on the significance of specific consumption practices in the identification of consumption trends. An essential analysis for approaching and comprehending an increasingly complex and variable consumption.

Keywords

Social Network Analysis, Social Change, Consumerism, Digitalization

References

Alonso, L. E. (2007). Las nuevas culturas de consumo y la sociedad fragmentada. Pensar la publicidad, 1(2), 13-32.

Babushkina, D., & Votsis, A. (2022). Epistemo-ethical constraints on AI-human decision making for diagnostic purposes. Ethics and Information Technology, 24(2), 22. https://doi.org/10.1007/s10676-022-09629-y

Banet-Weiser, S. (2018). Empowered: Popular feminism and popular misogyny. Duke University Press.

Barrio, C. (2023). Imágenes, traperas e Instagram. Reflexiones netnográficas a fiego lento. Teknokultura. Revista de Cultura Digital y Movimientos Sociales, 20(2), 165-173. https://doi.org/10.5209/tekn.83534

Barrio, C., & Gordo, Á. (2021). La gestión del yo digital en la era de las plataformas. Las jóvenes traperas y sus stories de Instagram. En Audiovisual e indústrias Criativas. Presente y Futuro.: Vol. Vol 1 (José Gomes Pinto, pp. 293-309). McGraw-Hill.

Blondel, V. D., Jean-Loup, G., Rernaud, L., & Etienne, L. (2008). Fast unfolding of communities in large networks. Journal of Statistical Mechanics: Theory and Experiment, 10, p1000. https://doi.org/10.1088/1742-5468/2008/10/P10008

Borgatti, S. P., Everett, M. G., & Johnson, J. C. (2013). Analyzing social networks. SAGE.

Bourdieu, P. (2003). Un arte medio: Ensayo sobre los usos sociales de la fotografía. Gustavo Gili.

Brandes, U. (2001). A Faster Algorithm for Betweenness Centrality. Jorunal of Mathematical Sociology, 25(2), 163-177. https://doi.org/10.1088/1742-5468/2008/10/P10008

Bucher, T., & Helmond, A. (2017). The Affordances of Social Media Platforms. En The SAGE Handbook of Social Media (Jean Burgess, Thomas Poell y Alice Marwick, pp. 233-253). SGAE Publications.

Butcher, M., & Maclean, K. (2018). Gendering the city: The lived experience of transforming cities, urban cultures and spaces of belonging. Gender, Place & Culture, 25(5), 686-694. https://doi.org/10.1080/0966369X.2018.1462773

Chaney, D. C. (1996). Lifestyles. Routledge.

Davis, J. L., & Chouinard, J. B. (2016). Theorizing Affordances: From Request to Refuse. Bulletin of Science, Technology & Society, 36(4), 241-248. https://doi.org/10.1177/0270467617714944

de Rivera, J., Gordo, Á., Cassidy, P., & Apesteguía, A. (2017). A netnographic study of P2P collaborative consumption platforms’ user interface and design. Environmental Innovation and Societal Transitions, 23, 11-27. https://doi.org/10.1016/j.eist.2016.09.003

de Vries, R., & Reeves, A. (2020). What Does it Mean to Be a Cultural Omnivore? Conflicting Visions of Omnivorousness in Empirical Research. SSRN Electronic Journal. https://doi.org/10.2139/ssrn.3541022

Douglas, M. (1996). Thought styles: Critical essays on good taste. Sage Publications.

Durán, J. M., Sand, M., & Jongsma, K. (2022). The ethics and epistemology of explanatory AI in medicine and healthcare. Ethics and Information Technology, 24(4), 42, s10676-022-09666-09667. https://doi.org/10.1007/s10676-022-09666-7

Favaro, L., & Gill, R. (2018). Feminism rebranded: Women’s magazines online and ‘the return of the F-word’. Digitos. Revista de Comunicación Digital, 4, 37-65. https://revistadigitos.com/index.php/digitos/article/view/129/62

Fernández Rodríguez, C. J., & Heikkilä, R. (2011). El debate sobre el omnivorismo cultural. Una aproximación a nuevas tendencias en Sociología del Consumo. Revista Internacional de Sociología (RIS), 69(3), 585-606. https://doi.org/10.3989/ris.2010.04.15

Fortunato, S. (2010). Community detection in graphs. Pyshics Reports, 486(3-5), 75-174. https://arxiv.org/pdf/0906.0612.pdf

Gardiner, M. E., & Seigworth, G. J. (2021). Rethinking everyday life: And then nothing turns itself inside out. Routledge.

Gill, S. L. (2020). Qualitative Sampling Methods. Journal of Human Lactation, 36(4), 579-581. https://doi.org/10.1177/0890334420949218

Gillespie, T. (2017). The Platform Metaphor, Revisited [Alexander Von Humboldt. Institut für Internet und Gesellschaft]. Digital Society Blog. Making sense of our connected world. https://www.hiig.de/en/the-platform-metaphor-revisited/

Hakim, C. (2011). Erotic capital: The power of attraction in the boardroom and the bedroom. Basic Books.

Helmond, A. (2015). The Platformization of the Web: Making Web Data Platform Ready. Social Media + Society, 1(2), 205630511560308. https://doi.org/10.1177/2056305115603080

IAB. (2023). Estudio de redes sociales 2023. IABSpain. https://iabspain.es/estudio/estudio-de-redes-sociales-2023/

Jacomy, M., Venturini, T., Heymann, S., & Bastian, M. (2014). ForceAtlas2, a Continuous Graph Layout Algorithm for Handy Network Visualization Designed for the Gephi Software. PLoS ONE, 9(6), e98679. https://doi.org/10.1371/journal.pone.0098679

Kim, J.-H., Kim, M., Park, M., & Yoo, J. (2021). How interactivity and vividness influence consumer virtual reality shopping experience: The mediating role of telepresence. Journal of Research in Interactive Marketing, 15(3), 502-525. https://doi.org/10.1108/JRIM-07-2020-0148

Lambiotte, R., Delvenne, J.-C., & Barahona, M. (2014). Random Walks, Markov Processes and the Multiscale Modular Organization of Complex Networks. IEEE Transactions on Network Science and Engineering, 1(2), 76-90. https://doi.org/10.1109/TNSE.2015.2391998

Lovink, G. (2011). Networks without a cause: A critique of social media. Polity.

Manovich, L. (2017). Instagram and contemporary image (California Institute for Telecommunication and Information&The Graduate Center). Cultural Analytics Lab.

Maxwell, J. A. (2013). Qualitative research design: An interactive approach (3rd ed). SAGE Publications.

Mccune, Z., & Thompson, J. (2011). Consumer Production in Social Media Networks: A Case Study of the “Instagram” iPhone App. University of Cambridge.

Mihelj, S., Leguina, A., & Downey, J. (2019). Culture is digital: Cultural participation, diversity and the digital divide. New Media & Society, 21(7), 1465-1485. https://doi.org/10.1177/1461444818822816

Nagy, P., & Neff, G. (2015). Imagined Affordance: Reconstructing a Keyword for Communication Theory. Social Media + Society, 1(2), 205630511560338. https://doi.org/10.1177/2056305115603385

Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New Media & Society, 20(11), 4275-4292. https://doi.org/10.1177/1461444818769694

Poster, M. (2021). Consumption and Digital Commodities in the Everyday. En Rethinking everyday life: And then nothing turns itself inside out (Michael E. Gardiner; Seigworth, Gregory, J., p. Vol, 18 (2)). Routledge.

Schäfer, M. T. (2011). Bastard culture! How user participation transforms cultural production. Amsterdam University Press.

Scott, J., & Carrington, P. J. (Eds.). (2011). The SAGE handbook of social network analysis. SAGE.

Stokess, J., & Price, B. (2017). Social Media, Visual Culture and Contemporary Identity. The 11th International Multi-Conference on Society, Cybernetics and Informatics (IMSCI 2017), http://www.iiis2017.org/.

Tarjan, R. (1972). Depth-First Search and Linear Graph Algorithms. SIAM Journal on Computing, 1(2), 146-160. https://doi.org/10.1137/0201010

Tsvetovat, M., & Kouznetsov, A. (2011). Social Network Analysis for Startups. O`Reilly.

Umit Kucuk, S. (2016). Consumerism in the Digital Age. The Journal of Comsumer Affairs, 50(3)(Special Issue on 50th Anniversary), 515-538.

van Dijck, J., Nieborg, D., & Poell, T. (2019). Reframing platform power. Internet Policy Review, 8(2), 1-18. https://doi.org/10.14763/2019.2.1414

Vujnovic, M. (2017). Consumerism and Consumption. En The Wiley Blackwell Encyclopedia of Social Theory (Brayan S. Turner, pp. 1-2). Wiley-Blackwell. https://doi.org/10.1002/9781118430873.est0598

Weingartner, S. (2021). Digital omnivores? How digital media reinforce social inequalities in cultural consumption. New Media & Society, 23(11), 3370-3390. https://doi.org/10.1177/1461444820957635

Published

2025-01-28

Downloads