Quasi una catabasi. La Divina Commedia nella danza degli ultimi 200 anni. Parte II
Abstract
Il saggio ripercorre due secoli di adattamenti coreografici della Divina Commedia(nell'ambito della danza classica, moderna e contemporanea), mettendoli in rapporto con la storia generale del ruolo di Dante nell'immaginario culturale d'Occidente, e sussumendone l'ipotesi di un uso generale di Dante come sintomo o catalizzatore di inquietudini epocali, paradossi formali e "vizi" poetici della danza degli ultimi duecento anni.
Parole chiave
Dante, Commedia, danza, balletto, performing artsRiferimenti bibliografici
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