(Trans)national «Fuenteovejuna»: from Hegemonic Discourses to Aesthetic Appropriation in Antonio Román and Juan Guerrero Zamora

Authors

  • Patricia Trapero Llobera Universitat de les Illes Balears

Abstract

This article discusses the cinematic productions of Lope de Vega’s Fuenteovejuna directed by Antonio
Román in 1947 and Juan Guerrero Zamora in 1972. The analysis stresses the different use of
literary adaptation and aesthetic appropriation techniques, according to the ultimate purpose of
adjusting the contents of Lope de Vega’s play to the historical and political hegemonic discourses of
their respective productions and cinema exhibitions.

Keywords

Lope de Vega, Fuenteovejuna, Antonio Román, Juan Guerrero Zamora, adaptation, appropriation.

Author Biography

Patricia Trapero Llobera, Universitat de les Illes Balears

Profesora Titular del Departamento de Filología Española, Moderna y Clásica de la UIB del área de Literatura Española.

DOI

https://doi.org/10.5565/rev/anuariolopedevega.242

Published

2018-01-31

How to Cite

Trapero Llobera, P. (2018). (Trans)national «Fuenteovejuna»: from Hegemonic Discourses to Aesthetic Appropriation in Antonio Román and Juan Guerrero Zamora. Anuario Lope De Vega Texto Literatura Cultura, 24, 119–151. https://doi.org/10.5565/rev/anuariolopedevega.242

Downloads

Copyright (c) 2018 Patricia Trapero Llobera

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.