The Immolation of Widows in India: History, Symbolism, and the Abolition of Sati (1829)
Abstract
The practice of Sati, understood as the ritual self-immolation of Hindu widows on their husbands’ funeral pyres, has been one of the most controversial and symbolic traditions within Hinduism. This article analyzes its mythological origins through the figure of the goddess Sati and her connection with the god Shiva, as well as its integration into sacred Hindu texts as a demonstration of chastity and conjugal devotion. The article also examines the perspectives of Greco-Roman chroniclers, the British colonial appropriation of the phenomenon, and the instrumentalization of its abolition as part of the British Empire's civilizing discourse. Special attention is given to the role of reformer Ram Mohan Roy and the influence of the British East India Company within the broader context of 19th-century social reforms. Despite its formal prohibition in 1829 by Lord William Bentinck, sporadic cases still occur today, highlighting the deep cultural roots of this practice. The article proposes a multidisciplinary reading of Sati as a site of negotiation between religion, gender, politics, and colonialism.
Keywords
Cultural History, Colonialism, 19th Century, Gender History, British Raj, Indian StudiesReferences
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